Tuesday, October 4, 2011

T-Pain is Not Hot.

Okay.

a.) Yes, its been awhile since any of us has posted. And to give everyone an honest prediction, there's an excellent chance that you won't see another post after this one for awhile. From anyone. Including Me.


2.) Okay, so I was screwing around in the ol' interweb and somehow, I stumbled across the Vevo page for T-Pain. Now, don't get me wrong, I am a big T-Pain fan. Really like his music, and even though I don't have to, I'm going to mention I'm On A Boat.

Has anyone ever seeeeen T-Pain? He looks like that kid who played D&D in high school, and went home after school to spend the rest of his day on the Gateway tower PC in his parents' basement. Big-ass plastic glasses, overweight, scrappy hair, and nobody really knows if he can actually sing. (But my god are his auto-tuning skills amazing.)

Yet, in all of his videos, absolutely GORGEOUS women are throwing themselves in his general direction. wtf?!?!?!?!?! Do I need to take up D&D? (I know the obvious answer, so lets not even go there.) But seriously - Am I missing something? And it's okay to say "No, Drew, you're not missing anything." But that would make me sad.

(PS - don't believe me? http://www.vevo.com/artist/t-pain BOOM! There ya go. See for yourself.)

Tuesday, May 3, 2011

Coverage - Chillerama

This is a terrible mini-feature i read for either MTV or Spike TV, i forget which.

CHILLERAMA

Okay seriously? What The Fuck.

this is a short-feature - its about 30 pages long - so its a fast read. A fast, retarded read. Its supposed to be a over the top horror/comedy which is mostly comedy, but really bad comedy. Its about this kid who is gay, but he doesn't want to accept that he's gay. He has a girlfriend who gets hit by a drunk driver right at the beginning of the story, and spends the rest of the story as this brain-damaged retard who just speaks gibberish. He has a run-in with this other gay kid who bites his ass during a wrestling match, turning him into a "werebear." which is some kind of hairy creature who can change forms at will, and loves buttsex. Then the protagonist struggles with the fact that he's gay, he accidentally kills his wrestling coach when his coach tries to molest him, and the action culminates with a big werebear fight at like a battle of the bands-type event. The protagonist comes to terms wit the fact that he's a werebear, but dones't have to run around killing people, like his predecessor were doing. Everyone lives happily ever after. Oh yeah - did i mention this is also a musical?



Overall, this script was really gay. It was also bad. The fact that it was a INCREDIBLY POOR allegory for the struggle that teenagers have to deal with when it comes to being gay when you are in a predominantly heterosexual, uber judgemental environment was FAR TOO OBVIOUS. The dialoge was awful, I'm pretty sure the author was high when he wrote the lyrics to the songs. I could understand an actor doing this if they couldn't get a job anywhere else, and actual legitamate work was something they weren't into, buuut this is just over the top. And bad. This is one of those movies, where if it got made, you would have that midwestern family sitting in front of their television berating Hollywood for their inability to make good movies. Not like Transformers 2 is helping out case, but still. Didn I mention this was awful?
PASSSS.

Thursday, April 14, 2011

Another compilation

Well we all know how much i love compilation videos. And we also all know how much i love animation...and since pixar is the current king of the animation world one would assume that i would love a compilation video of the last 25 years of Pixar....

Well that person assuming would be correct BAM!!!!

Monday, March 21, 2011

The Cultural Movement That Wasn't

So I was sitting around with some of my friends the other day, and we were talking about the socio-cultural movements over the last fifty years, and how they have influenced us over the course of history. Going all the way back to one of the biggest movements of the century, the Civil Rights Movement, and moving up all the way through today, almost every single introduction of a new social group brought with it some sort of contribution to us as a whole. Every group, that is, except for this one:




Hipsters.

You've seen them before. Wearing large, plastic glasses, some merely framing some glass, and not actual prescription lenses. Shirts from the 70s, jeans that are too tight, and boots that could be found at any local S&M shoppe.

"But Rizz!" you will find yourself saying. Its okay. Go ahead. Finish that thought. What HAVE they contributed? Keep on thinking. Maybe it will come to you. Someday. The fact is, to be a hipster, is to be not a contributor, or not even a user, but rather a re-user. To find something that has already been done, and do it again, using a shield of pretentiousness to deflect any ideas of "haven't i seen that before?"

Lets review:
The CRM, in addition to the blatantly obvious, opened us up to a world of new music stylings. Jazz, Rock and Roll, and Blues were virtually unheard of in mainstream music back in that era. Move into the Free-Love movement of the 60s and 70s and you come up with the Beatles, Woodstock, people realizing that war didn't need to happen because Uncle Sam said so. That movement also settled and evolved into the people that gave us modern-day studio movies (Star Wars, Jaws), and the reason why girls flip flops all seem to have 3-inch platforms on them.

The 90's gave way to both the Grunge and Hip-Hop movements. Enter torn jeans (which you can purchase pre-torn now), long hair, the biggest problem with authority to date (We were nicknamed Generation X), Nirvana, Marilyn Manson, et cetera. We saw the introduction of established Hip Hop rappers - Dr Dre, 2-Pac, Biggie Smalls. The look of Basketball started to change - from daiy-dukes to baggy shorts. Even some of our latest social movements, even whats going on now - with information sharing, and our fascination with digitally manupliating music - we get Youtube, Facebook, and Daft Punk.

Which brings me back to it. What have Hipsters given us, aside from the general annoyance of having to deal with them on the regular? Arcade Fire? Oh no - that's a band. Hipsters have no trouble finding music, and then deeming it worthy of bearing their stamp of approval (which, for the record, in most cases, means you just have to wail inconsolably into a microphone while you are accompanied by, at best, two other acoustic guitars.) This is a trend that seems to extend to most of the Hipster Persona: find something that someone else did, and deem it "cool." And then, to top it all off, they herald every discovery of theirs as something so cutting edge, and so groundbreaking, that only those clearly "in the know" would even have the slightest idea as to whatever they're discussing. In some cases, you might even go so far as to offend said hipster is the topic in question is supposed to be a "well known" one. (This can be any reference to Arcade Fire or NPR Program.)

So like i said: Not contributors, but rather, re-users. The one problem is that, from what I've seen, regardless of medium, the stuff hipsters like is the shit that nobody wants anymore. Which is why it was thrown out in the first place.


And seriously guys? Would it kill you to put a little product in your hair and run a comb through it?

Friday, February 25, 2011

Dreams


I wake up in bed. Or at least I think i wake up, there is a surreal sense of misplacement. As if the colors in my room do not quite match up or a feeling that everything is too big and too small at the same time. Not that either of these facts are important to me at this point, due to a pressing feeling of acceptance in regards to my surroundings.

As I role out of bed, already dressed in an outfit that i haven't owned in years, a sudden unexplainable feeling of panic sets in. I can not seem to place where this feeling comes from but i cannot shake away this sense of apprehension. As I stand up i hear a sudden click in my jaw and the reason for my increasing terror becomes suddenly apparent.

I slowly reach my hand up to my mouth, putting my fingers between my lips. Grabbing my front tooth i feel a wiggle and then a pop. As my panic increases to monumental amounts I begin to pull out each tooth, the pain increasing with each sickening pop. Slowly I begin to feel my molars crumble beneath my touch. My tongue feeling the empty gaps where my smile originally found it's home.

Finally as I pull out the last tooth of my now bloody and crumbled mouth a scream emanates louder then any sound i have yet to encounter.

I wake up in bed. Or at least I hope i've woken up. My room seems right somehow as if all the colors are what they are suppose to be, and everything is the correct size. My jaw hurts as if i had been grinding my teeth for hours as i slept. Still feeling the pressure of panic on my shoulders i slowly raise my left hand to my mouth, dreading what may be there. Touching my front teeth I sigh in relief realizing that each tooth is still where it's suppose to be. I flop back down into bed and fall right back to sleep hoping to dream of slightly more pleasant things.

Thursday, February 3, 2011

Coverage - GONE

New Thriller will be going into production soon. Read it. Not a great fan, but I could be wrong.

Synopsis: This is set as sort of a thriller - we follow the story of JILL - a girl in her 20s who is wandering through the woods. We learn later that she lives with her sister, MOLLY, who is still a student at the local college, while Jill works the late shift as a waitress. One night, on her way out the door to work, Molly asks her to wake her up when she gets back at 630 the next morning so Molly can wake up and study more for her mid terms. Jill works her shift, and a nice man tips her $20 for a cup of coffee. When she gets home, she finds out that Molly is gone - there is no sign of forced entry, but Molly is missing.

Jill immrediately goes to the cops, and this is when we learn that she had been kidnapped earlier, and thrown down a hole and tortured for weeks. After she managed to escape from the pit on her own, the authorities couldn’t find any sign of her abduction, and ruled the whole thing to be made up. Hence, when she comes to the police with the story, they don’t believe her at all. Convinced the police aren’t going to help her out, Jill begins to track down her sister.

As she speaks to her neighbors, and other various people around town who give her leads, she has to dodge the police. First she pulls a gun on a dude at a locksmith, then she runs, and her shrink calls her and tells her to come to her office to talk things out, but Jill realizes that her shrink is just working with the police, trying to bring her in.

As she closes in on the culprit, finding out what hardware store he goes to for his torture materials, Molly’s boyfriend calls to tell her that Molly came home, and Jill again surmises that the bf is also working with the cops, so she hangs up on him too. She finally learns who the killer is, and he leads her back into the woods, back to the hole where she was first captured.

In the interim, Molly manages to escape from where she was being captured, which also turned out to be right beneath Jills house. Jill tricks the killer into thinking she climbed into the hole, and when he shows up to gloat, she surprises him from behind, shoots him in the leg, and pushes him into the hole, and takes away the ladder. The cops text her telling her they found her sister, and she comes back home to find Jill and told the cops that she made the whole thing up, so that they don’t go looking for the killer, who is still alive, trapped in his own hole.


Overview: Ehhh, I don’t know what to think about this one. Its an okay thriller, but that’s all its going to amount to be. Its a about a girl who is sort of experiencing ptsd, except she’s not this time, and everone else thinks she is. It’s pretty standard. There isn’t enough suspense contained in what’s actually happening. She spends all of her time either whining to the cops, or coming up with half-cocked stories to make the local townspeople give out other people’s personal information. The way she sort of buys right into the killer’s talking is a little weird, and its sort of explained when she has the tables turned on him, but its not handled well. There is no ultimate conflict. Nothing is on the line - Molly escapes by herself, Jill’s actual interaction with the killer spans no more than.... 45 seconds of total screen time for the total feature? That isn’t an antagonist. And pointing out that the cops are the antagonists is just weak. Think about a good horror or thriller movie, and the protagonist always gets away by the skin of their teeth: bloodied, broken, scarred for life, barely alive, but alive nonetheless. People live for

the protagonist’s “Bitch, what?!?” moment in a movie, when revenge is finally exacted, but the protagonist has to earn it. That doesn’t happen here. Moreover, the villain is as good as killed off, all but cutting off any possiblity of a more boring franchise. PASS.

Dragonball Z Videos

Hey Everyone!

So if you aren't aware of the show, Dragonball Z, I would probably just find another post to read.

If you are curious, DBZ is a very very popular Anime that spend a long time airing in the States, and even longer in Japan. It follows the lives of super-powered martial artists who constantly save the world through the use of flying, self-generated energy beams, and fighting that moves faster than you can see. There are other parts to the show that are good as well, but that's the basic outline.

If you ARE familiar with the show, here is a small collection of fan-made DBZ videos that just feature a bunch of parts of the show strung together in an incredibly repetitive fashion. Its a certain sense of humor, but I find it hilarious. Enjoy!

-Drew

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Wednesday, January 26, 2011

Story Coverage

Hello everyone and Happy Wednesday. I figured the 27th anniversary of my introduction to this world would be an event grand enough to spurn my writing again. On a wednesday, my designated writing day, no less.

So to help familiarize people with different aspects of my job, one of the many things I get to do is write coverage for scripts that are submitted for clients. Other duties might include talking to producers, talking to casting directors to try to get auditions for actors, setting up general meetings with directors, dealing with publicity and ADR for projects, fixing air conditioners, getting drinks with and for people, dumpster diving, and organizing travel. But we're here to talk about coverage.

On a daily basis, scripts and projects are submitted to our clients here to read and consider, in case they find a movie they would like to be in. Its my job to read the scripts that come in for a select few clients, and then write a short synopsis on the script, and give my thoughts on it as well. Sporadically, i will provide brief descriptions of the characters involved in the project as well.

Because of the clients that my boss deals with, sometimes we get sent projects that ultimately are made into studio released movies. So sometimes you'll get to see coverage on movies you might be seeing trailers for.

To start, I figured I would start with one of my favourite scripts. SHOULDERPADS is a musical set back in the early 60s, and about the working woman getting ahead in a world of glass ceilings. Oh yeah, except by "favourite" I mean that this was probably one of the worst scripts I have ever read. So enjoy!

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SHOULDERPADS

Synopsis: The year is 1963. This is the era where women are just starting make an appearance in the workplace. Fading away is the conception of women as the ideal housewives, there to cook, clean, and keep their husband happy - drink in his hand when he comes through the door. Enter HOPE, the Vasser valedictorian, who has just graduated, and refuses to be the ideal housewife. She wants to enter into the workplace, and she winds up with a job at a some beauty advertising agency, where she will be working as a secretary to ROWENA MARX - one woman at the firm who is everything that Hope wants to be. Powerful, smart, and driven - she doesn’t take shit from anyone else at the company, and it shows. The kind of boss who would be an agent at UTA or something. Hope makes friends with the two other secretaries, GRACE and JUDY - their bosses are the stereotypical. Judy’s Boss, RICHARD is a shovenest pig who is in his 50s, and just greasy and gross, thinks he still has it, but we know he doesn’t. Grace’s Boss CHAS. He is a younger version of Richard, except he actually does have it. And by “it” I mean “a torrid office romance with his secretary, Grace. Of course he’s using her.

In mid-song and dance number, Marx talks to Hope and describes to her their current project - to find the perfect woman for their new feminie product, SUMMER SNOW - shampoo, conditioner, vaginal perfume, and diuretic all in one. Oh yeah. Now all they need is the poster child for the product. In the midst of the song, we get to watch Richard and Chas use their secretaries for their own sexual gain, and then kick them to the curb.

Hope begins flirting with BILLY, who works in the mailroom (gasp! its totally off limits to be interested in someone lower on the totem pole than you.) He’s all apparently the perfect man - grows flowers, cooks like a god, and is super super nice and considerate.

The the girls continue to bond, and in their musical number telling us this is what is happening, “the girls become a jazzy girl group ala the Lennon Sisters.” It is revealed that whichever of the 3 bosses finds the perfect model to represent Summer Snow will be promoted, and the the other two are going to get the axe. Marx begins to reveal that behind all her bravado, she’s quite lonely, and vulnerable. But only for a moment.

The girls hatch a plan to seduce the other two guys and figure out what their respective plans are to do for the campaign. Grace gets hit by a truck singing about how much she loves her boss (who has no feeling for her at all.) Hope falls for Billy. We find out that Richard got Judy preggers, and she gets an abortion. More singing. Marx is ultimately fired, and as she leaves Hope with a choice - pursue her job, or pursue love (Billy.) Then she leaves to go to Tuscon to be with her long lost love, leaving Hope in charge of her part of the campaign. Getting lost in the midst of her work, she alienates Billy from her. Ultimately, Hope pulls the campaign off spectacularly, and gives a presentation using all of the women in the office, saying that the real face of Summer Snow is everyone. She gets promoted, gets a corner office, the men are axed, and Hope apologizes to Billy, gets him back, and marries him - in the last song she can be leaving the house while Billy waves good bye, holding twins and cooking. Fin.

OVERVIEW: Remember my original coverage? With the batman doll video? I maintain my stance. The lyrics are terrible, the message is stupid, the characters are stupid and flat, the friends are no good, and everything is far far far too predictable. Even the lines in between the songs are stupid. Some people are a little too perfect, and its just.... really goddamed lame. I mean, seriously. I don’t like any one of these characters. And the Summer Snow product? PLEASE. Mamma Mia was good cause it used Abba songs and had international pull because of it. THIS HAS NONE OF THAT. I mean, if you want to take all the work that went into Letters to Juliet, Im.Mortal, and Red Riding hood, and flush it down the toilet, after taking a crap on it, then go for it. I don’t care if Scorcese was attached to this project, its terrible. Shit, Marty would be smart enough to know that this is bad. I think someone put syphillis on the paper of these scripts so you actually go insane when you read it, and that’s why people keep saying “they’re crazy about it.”

But I digress. PASS.

Thursday, January 6, 2011

okay my last 2010 post

I know these are late. I know I already did a new year post. I know it is now January. BUT IT'S ONLY THE 6th so for my last post of "the year", (hopefully my fellow Grapefruit logic compatriots will give there own send offs to the fine year that brought us this blog) I will be giving you two beautiful movie compilations celebrating 2010.




Monday, January 3, 2011

Welcome to the future


Happy NEW YEAR!!!!! it's 2011 and grapefruit logic's new years resolution is TO POST MORE OFTEN. (we apologize for our lack of posting as of late, we got lazy/busy you can decide which one is more excusable)

now being that it's 2011 and the technical beginning of the new decade, I'm gonna start it off with a top six list of WHY WE ARE IN THE FUTURE. Now for a little history (har har) for most of the 20th century many sci-fi films where set in the time period that we currently reside in (between 2000-2060.) Many of these films/tv-shows are the standard that we hold the future to. Back to the Future part 2 (2015), The Jetsons (2060), Blade Runner (2019), Star Wars (a long time ago) and many more depict society in the distant to not so distant future. They have gifted us with many imaginative things from hover boards, to flying cars, and many of these things have arrived IN THE REAL WORLD. So here it goes; the top six reasons we are in the future.

6) xbox 360 Kinect
Yes it has yet to be seen how good of a product this will be. But I got one for Christmas and this is what I have to say about it.
1) Nothing is cooler then controlling my TV like Tom Cruise controls computers in Minority Report, (NO HANDS MA!!)
2) IT KNOWS MY FACE. seriously i signed in as my avatar, and when i was on the screen my avatar was playing. Then I left letting my friends take a crack at it for about a half an hour. (when i left the screen my avatar left with me and the xbox assigned random characters to the people playing) When I finally returned BAM my avatar is back. (IT'S WATCHING ME HELP!!!!)

5) Music
If you look at the larger music festivals in the United States right now, many of them will be in the music genre Electronica. (Better known as Techno) Beyond that many music on the top 40 lists are, or have, techno influences. David Guetta, Tiesto, Dead Mau5, Daft Punk, techno is shaping up to be the next big music genre. And you know who else listens to techno... ROBOTS!!!!!!!!!!!!!!!!! thats right, the music genre forever held high by the mechanical limbs of our robot overlor-I mean friends is beginning to blossom.



4) Holograms
With the release of James Cameron's "Avatar," which grossed more then a whopping $2 billion, we have now cemented 3D in the American society. Slowly 3D televisions are being sold on a daily basis, and soon Nintendo will be releasing a 3D handheld system that doesn't even require 3D glasses; the Nintendo 3DS. Now while these are not the holograms that one would expect, it is a step in the JAWS 10/"Letting the Wookie Win" direction. Along with this companies product a real hologram projector WE ARE ON OUR WAY.



3)Mobile Television
From Phones, to tablets most people cary at least one, if not two ways to watch tv or movies instantly on their person at any given moment. Most of this is due to a combination effort
between Google and Apple. This was every childs dream when growing up.(or at least mine) "what?!?! I can watch my cartoons in class as long as i hide it from the teacher. SOLD" (*warning* the men and women at Grapefruit Logic do not in any way support watching cartoons during school, all children who do watch television in class and have there phones taken away by angry over reacting teachers as a consequence are not responsibilities of this website/blog or any of our affiliates.)

2)Video chat
Almost all versions of the future had video chat, and though to a certain extent we have been able to video chat since the 90s. It was to expensive and only really adopted in the last 5 years. This one being mostly to blame on apple computers(thank you Steve Jobs and whomever makes your turtle neck sweaters), and Skype. Many corporations use it daily, and love struck high-school sweethearts separated by "college long distance relationships" use it hourly. Plus now with most new smart phones being released with front facing cameras, video chat is being taken on the road. Congratulations, you too can now be using video chat, just to give the finger in live full color to that asshole down the block that keeps taking up two spaces with his truck anywhere you please.



1) Sadly number one is not hover boards, teleportation, moon/mars bases, space elevators, faster then light travel, or flying cars. But they are cars.

Google has, in fact, created a self-driving car--not only that, the company took it on a test drive down the coast of California, from its Mountain View campus to its office in Santa Monica.Then, naturally, they cruised the thing down Hollywood Boulevard.And this isn't the first time Google has taken the car out into the wild. Past exertions have included Lombard Street (the world famous "crookedest street"), the Golden Gate, the Pacific Coast Highway, and the circumference of Lake Tahoe. The car has driven some 140,000 miles--with trained operators on-board, naturally.The goal of the vehicle is "to help prevent traffic accidents, free up people's time and reduce carbon emissions by fundamentally changing car use," according to the company. The cars (yes, cars plural) utilize video cameras, radar sensors, and lasers (that's how you know it's from the future) to spot other traffic. Built-in maps, meanwhile, help the vehicles navigate the road.The car is in constant contact with Google's data centers, which process all of the information gathered by the vehicles.In all, Google seems confident of the potential of its crazy future car, "We're also confident that self-driving cars will transform car sharing, significantly reducing car usage, as well as help create the new 'highway trains of tomorrow

DID YOU READ THAT, IT HAS HAPPENED, WE HAVE SELF DRIVING CARS. Which for all of us alchohol consumers, this means you DON'T HAVE TO WORRY ABOUT DRIVING DRUNK. Mind you these probably won't be released for a while. but still.
The second part to this whole thing is the TESLA/PRIUS/EV1 and EV2 Electric cars are becoming a natural and normal thing. AND SOON THEY WILL DRIVE THEMSELVES.
(on second thought, FUCK ROBOTS ARE TAKING OVER THE WORLD DAMN YOU TERMINATOR AND THE MATRIX FOR GIVING THEM THE IDEA IN THE FIRST PLACE.)